Thursday, February 24, 2011

MOEBIUS AND BEERBOHM - DOUBLE CUT


I touched very briefly in my previous post on the state of affairs in Libya. A leader losing grip and a people tired of years of tyranny and oppression in search of a better life. It's such a shame that Muammar couldn't keep his shit together as I fear the world of international politics will be a much a much duller place without him. World politics has gone the same way as New York in recent years: Mondo Kim's has shut down and there's a Starbucks on every corner. Yes he is 'evil', I read a piece on the 1996 Abu Salim prison massacre and everybody is more than aware that despite attempts by our former government to gloss over the fact, he was entirely responsible for the Lockerbie bombing.

These hideous crimes against humanity aside let's look at the case for the defendant: He was, it turns out shockingly handsome as a young lieutenant coming up through the ranks. He takes his tent everywhere with him, he seems to operate exclusively with a female special forces guard, he dressed like michael jackson and got away with it. Muammar is a style animal, an ever changing thing of fashion wonder and excess, sunglasses and a crooked smile endlessly spouting utter lunacy not hears since the reign of Idi Amin.

He's a character (yes an evil character) but he's a character and there aren't many of those left. Take Germany's Angela Merkel for example - A fat and styleless Ann Robinson, her political sandbagging and denial of financial turmoil mere footnotes to the fact she dresses like a day release patient going to a Christening.

Why is it the bad guys dress so much better? It's not a new thing either. The staggeringly forward thinking yet timeless fashion of The Third Reich is well documented but what nobody seems to have cottoned onto just yet is the subtle and underplayed suave stylings of Iran's Mahmoud Ahmadinejad. I swear to God/Allah that Dior are dressing him on the quiet. His bearded look has been copied the world over as has his undone smart -casual chic. Again, such a crying shame he's a mass murderer who justifies his dictatorial actions through religion whilst laughing in the face of the West.

The first track on Double Cut is contender for best opener in the world ever, it's fantastic, slow and brooding, pulsing 80s synths, all very much of its time. So much so that it sounds like it could have been recorded with the help of Libya's very own bad man right around the time he was dressing like he'd stepped out of the video for Thriller on his way to blow some shit up.

'Hydrogen' pulses by in very much the same way a quirky Germanic signature on the ever growing face of electronica, slightly more clunky and repetitive.

Track 3, 'Narakose' is awesome because it sounds like I recorded it myself when I was a bit drunk, same instrumentation and lush studio but without the help of Muammar, Moebius and your other man.

Track 4 'Doppelschnitt' I don't remember because I started this review a few weeks back and didn't get chance to finish it off. In the meantime It would appear we are at war with Moebius and Beerbohm's third keyboard player and on another continent that latter day jewel of the Orient - Japan appears to have fallen into the sea.

Not much to say on that really, not yet. All of the observations about lost world class record collections and quieter aisles in Beatles sections across the US are misplaced, tasteless and way too early. I can't comprehend living with that still utterly shocking tragedy and here's to hoping I never have to.

I re-listened to 'Doppelschnitt', all 21 minutes 43 of it and it's further proof that this sly dog of the Africa's has a soundtrack with his name written all over it. I can see him rockin' the Toni Basil patented 'pop and lock' to this as American fighter pilots high from watching Top Gun one too many times crash and bail all around him.

If it wasn't so patently obvious that Iran's Mahmoud Ahmadinejad was a Strokes completist the search for his very own theme would start right here - Man, he must be well Jazzed that their new album is out.

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